• Linda Ulleseit, author

  • NaNoWriMo!

Favorite Children

threecovers0I am often asked which of my books is my favorite, yet I’ve never had anyone ask which of my sons is my favorite. My books are like my children: they took a lot of effort to ‘raise.’ If I am distracted from them sales decrease, like children acting out to get attention. I’m proud of them, books and children, but I see their faults. Each book has its own personality and strengths.

My first book, ON A WING AND A DARE, has a love triangle. Emma loves both Davyd and Evan, who are brothers. I admire Emma’s strength, and enjoy reviews on Amazon or Goodreads where readers say they are rooting for Evan…or Davyd.

The middle child, IN THE WINDS OF DANGER, has a young but fiercely strong female character. Nia absolutely will not let anyone push her around, and it’s not always obvious who is trying to do so. Any parent would be proud of her independent fire.

The last in the Flying Horse trilogy is UNDER A WILD AND DARKENING SKY, which has a wonderful brother/sister relationship. Alyna and Ralf support each other even as they make choices that set

UAT front

them in opposition to each other.

My most recent book is UNDER THE ALMOND TREES, which is not about flying horses. The three main characters here are strong women who helped settle California and happen to be related to me. Ellen fights for women’s right to vote, Emily wants to be an architect, and Eva opens her own photography studio. All of this is taken for granted today, but for them it was a difficult road.

So each of my books are loved for different reasons. You can see my favorite love triangle, favorite strong female character, favorite siblings, and favorite inspirational women. But a favorite overall book? I can’t pick. Summer is under way now, so why don’t you read them all and tell me which is your favorite? Don’t forget to leave reviews on Amazon and Goodreads. Thanks!

Writing Successfully

anpencil3I love to write. That doesn’t mean I sit down eagerly at the computer every day and write thousands of words. Even with something I love to do, I have to come up with motivation and perseverance. I’m sure it’s true for my students, too, especially those who hate to write. My hope today is that if I share some of my frustrations with the very beginning of the process, others will be able to be inspired.

MOTIVATION. You would think that enjoying writing would be a motivation. It is, I suppose, but it’s not enough. I think of my current novel as a wonderful finished product, or bask in well-written chapters that are already completed. I am just about 2/3 done with the first draft, but haven’t been able to make much progress for months. I know that when I get started the words will flow until I am drained. I know that if I force myself just to start writing that the first page or so may very well be garbage I have to cut later. Having started, however, is what’s important. The good stuff hides behind a wall. Once that wall is broken, it leaps out.

I’ve finished four novels. The fact that I know I can do it is motivation. Chapters whirl around in my head until they just about spring forth on their own. The story I’m writing, Aloha Spirit, is a good one. I’m very happy with what I’ve drafted so far. I have ideas for revision, and sometimes I go back and work on a revision as a way to get started again. The motivation is there, I just need to move it from, “Someday this book will be finished, and it will be good” to “Today I need to write 2,000 words.”

PERSEVERANCE  Students know about procrastination. It’s much easier to put something off than it is to do it. Mostly I read or play Facebook games. For hours and hours. My mind tells me that I can write for an hour and still have an hour to read, and probably an hour to play Candy Crush, too. Life gets in the way, too, of writing. Grocery shopping, house cleaning, yard work, the gym, walking the dogs, cooking, errands–some of those things I enjoy very much, some not. They all get in the way of writing. The trick is to keep coming back to the piece you’re working on whether it’s been two hours, two days, or two years since you started.

I’ve always said that authors are the ones who persevered to finish their novel. I know several people with truly awesome unfinished stories. I have one of those too (Aloha Spirit!). The only difference between novelists and writers is that authors persevere until they are done. My first book, On a Wing and a Dare, took seven years. I gave it up for months at a time. I completely started over three times. I revised the entire thing four times. Most importantly, I finished it.

So whatever you use for motivation and however strong your perseverance is, I wish you good writing. I’m off to start that next chapter.

Foreshadowing – a writing device sometimes misused

Another guest post! Today I’m reblogging a post by one of my fellow horse story writers. So exciting that she mentions my own books in her article! Thanks, Connie!

by Connie Peck

A while back I was involved with a fairly tough critique partner who wrote in a vastly different genre than I. He was writing a 200K suspense/murder/mystery/drug & mind control novel while I was writing a simple horse story for fourth graders.

His biggest beef about my writing – foreshadowing. And of course real danger for my main character, an eleven year old girl who had a telepathic connection to her pony.

It was not a good fit.

My biggest mistake was that I let it get under my skin. But I eventually got over it. Then I did some research. For one thing, after re-reading some of his chapters, I recognized that his foreshadowing technique was actually almost pre-telling what was coming. I’m really not sure what category that falls into. Okay, so if a character, say a law enforcement officer, is approaching a potential bad-guy-hideout and slips the safety strap off his pistol, I’m going to look forward to a possible gun-battle. However, if the cop loosens his revolver, saying to himself “I’m sure I’m going to need this because this guy I’m after is crazy and I know he has an arsenal of weapons in there.” Well, that’s giving it away and since I know for sure what’s coming, I may just skim to see what’s next. (No that author didn’t write those words, that’s only an example. And he did get an agent.)

I did more reading.

A well-known children’s author who has won all sorts of rewards did the same thing in the first chapter by actually telling what the stakes were and how bad it could be right there in black and white. Instead of me looking forward to what might happen – be it good and wonderful, happy and funny, scary and adventuresome, I was no longer curious. I already knew. Sadly I couldn’t find the energy to keep reading. It was already told how dangerous it would be to approach the only means necessary to solve the big problem.

The best text for learning the technique of foreshadowing from both a writer’s perspective and a reader’s is THE LOTTERY, by Shirley Jackson, way back in 1948. And it still stands as the benchmark. Only a few glimpses, solitary items, which don’t really seem to add to the story – until the end.

What is foreshadowing? It’s an element in the story that you have no idea is there until the danger rises its scary face, or until the funniest thing in the world occurs. (Not all stories need to have death, murder, and mayhem involved to be really, really good.)

Foreshadowing is a passing glance at a picture on the wall, which may turn out to hold some secret vital to the outcome. And after dancing all around that non-remarkable painting, the reader is delighted to discover the clue hidden there. But if the author overstates the presence of the art, the reader will become frustrated when the MC doesn’t see it, or become bored with the whole story, and toss it in the corner without finishing.
horse
In my children’s book, LEGEND OF THE SUPERSTITION GOLD, which is my third Black Pony book, I dedicate a chapter to putting shoes on the pony, while dropping information about the upcoming trail ride along with a few stories about the Lost Dutchman Gold. Why the whole chapter? Well, it’s short and full of horsey stuff. Plenty of dialog between Annie and the pony. A humorous dismissal of the legends by the farrier (in my opinion one of the strongest pieces of foreshadowing in the book). AND every single element in that first chapter is seen again – several times. Not only that, the shoes themselves become in integral part of the plot. But you don’t know that until you read further.

My second chapter is dedicated to a pair of spurs and how they come to be in the possession of the main character. The spurs once belonged to Annie’s grandfather. Her uncle has very little success in using them and passes them to her. The connection won’t be noticed until mid-point of the book, but will be totally understood at the climax. But you never will know that until you get there.

Other bits of foreshadowing include Annie looking at hieroglyphics – and feeling a strange presence. Midnight warns her a few times that ‘The Others’ are nearby as well. True, I have a rather slow chapter where the whole thing is dedicated to a few of the stories, which anyone can google, about the haunted Superstition Mountains and its hidden treasures. But, they are all seen again. Besides, to at least a few of us, those stories are juicy and wonderful.

But, if at any point in the story I would have written ‘X is about to happen’ you may not have been interested anymore. Why do I point out that riding in the soft sand of a dry wash could be dangerous? Because a flash flood is coming! That was likely the most telling foreshadowing in the whole story.

I’ll never say that I’m anywhere near as good at foreshadowing as Shirley Jackson, or in fact dozens of other authors out there, but the fact remains. You will never know what part of a scene foreshadows the coming event until after that event has occurs and it all comes together in a satisfactory ending.

A few examples of books using foreshadowing from Goodreads include, THE AGE OF MIRACLES by Karen Thompson Walker, published by Random House; Mo Willems’ THAT IS NOT A GOOD IDEA; Though this next one has mixed reviews because of adult content, THE TIME TRAVELER’S WIFE by Audrey Niffenegger, is pegged as a great book for foreshadowing.

One of my personal favorite authors is Linda Ulleseit, who writes a series of The Winged Horses. You know something is up when an outsider falls in love with a filly, and there is dark talk of a long forgotten village, but you don’t know what it is until it happens. And you know something is about to happen when a young rider is torn between a soon-to-be barn leader with an attitude – who will do anything to win, and a timid rider who has a fear of flying, but you are blown away by what happens – and you didn’t see it coming, until you read it again, and again, and again. (Yes, I read it that many times.)

Goodreads has more if you wish to look them up. Of course mine is one of the best (in my opinion). http://tinyurl.com/p6wm6kf

How well to you foreshadow the events in your story? Do you let it all out before it happens, or drop invisible hints that show their glory at the end?

I’d love to hear your stories and examples.

Practical Advice for Beginning Fiction Writers

Today we have a guest post from Karin Rita Gastreich, author of Eolyn and High Maga.High Maga 2Eolyn_Audio Cover compressed

Practical Advice for Beginning Fiction Writers

By Karin Rita Gastreich

Enjoy the journey.

Writing novels takes time. There’s no way to get around this, no magic wand that will spit out a full-length novel in a few weeks. True, we have fun challenges like NaNoWriMo that encourage us to complete 50,000 words inside of a month. But anyone who has participated in NaNoWriMo will tell you the work doesn’t end there. The “completed” novel must be revised, perhaps rewritten, often expanded, and certainly edited before it can truly be finished. For this reason, while it’s important to keep an eye on the prize, you need to enjoy every part of writing a novel, from beginning to middle to end. Don’t stress out if it feels like you’re taking forever to finish. The time you spend with your characters is precious. Believe or not, you’ll miss those characters when you’re done.

Develop a routine that works for you.

Discipline is important in writing, and everyone has a different approach to discipline. Some writers keep journals, others compose on the computer. Some writers force themselves to put out a certain number of words per day, others ignore word counts but dedicate ‘sacred’ writing time as their schedule allows. While it’s good to look at how other writers organize their time, it’s very important that you identify a routine that fits your life style and your creative rhythm. The best way to write is your way to write.

Keep the day job.

The truth of the matter is, it’s very difficult to make a living as a writer. The advent of self-publishing and other industry changes has made earning money off of writing harder than ever. A recent study showed that median income for writers has dropped 30% in the last ten years. While we are all hoping the situation will change, for the time being there’s no sign that the market will become friendlier for those of us who peck away at the keyboard producing stories. Everyone who loves writing should keep writing. But you also need to find something else you love and make it the career that keeps food on the table. Someday, with a lot of hard work and a little luck, you may be able to leave the day job and devote yourself full time to writing. Until then, keep your financial bases covered.

Success comes in many flavors.

Because the vast majority of writers do not make money off their work, it’s important to keep in mind that success does not boil down to income. The highest success you can have as a writer is to craft a wonderful story. With that success comes many rewards. There’s no greater feeling, for example, than having readers tell you how much they enjoyed your novel. I have also found great personal satisfaction in the friends and colleagues I’ve met through writing. Writers are amazing people: talented, giving, empathetic, and supportive. Just being in their company is a privilege, and I’ve found some of my closest friends through writing. There’s also success in balancing your writing with everything else needed to make our lives happy and fulfilling. Everyone has their own personal definition of success. Learn to recognize and appreciate your successes as they come.

Have faith in your journey as a writer.

More than a job, writing is a vocation. If you feel compelled to write, follow that muse wherever it may lead. Some stories we write just for ourselves. Some are meant to be shared with a larger audience. It’s not always up to us to determine which is which. When we put a story on the market, we allow readers to choose whether they want to be part of our journey or not. This is a scary moment, but also, I think, a place where a little bit of faith goes a long way. If the time is ripe for your story to capture the imagination of thousands, then it will happen. If not, that’s okay too. Nothing will change the fact that you are a writer. The most important responsibility you have is to use your gift and keep writing.

Eolyn Character Interview

High Maga 2Today I’m posting a special interview. This is fictional journalist Ian McFae interviewing the characters from High Maga by Karin Rita Gastreich. Enjoy!

Love and Magic in the Highlands of Moehn

An exclusive interview with Maga Eolyn and Adiana of Selkynsen

By Medieval Times correspondent Ian McFae

 Moehn seems an unlikely setting for one of the kingdom’s most ambitious projects. A rough-hewn province, its villages are clusters of earthen homes; its people humble in dress and aspect. Cultivated fields grow haphazardly across rolling hills. Wheat and lentils struggle amongst scattered saplings in a constant battle against the ever-encroaching forest.

Today I’m visiting an Aekelahr, the first community of its kind in over a generation. A half-finished wall marks the perimeter. Inside, small stone buildings house living quarters as well as a herbarium and library. At the center, a young fir tree has begun its reach toward the sky. On the southern side of the complex, insects buzz through a large garden of fruits, vegetables, and fragrant herbs.

My hostess, Maga Eolyn, survived the purges against magas and is often hailed as the last Daughter of Aithne. Her companion, Mistress Adiana, is a talented musician from the province of Selkynsen. You may, perhaps, remember her performances from the days of Mage Corey’s Circle. Though similar in age, Eolyn and Adiana seem very different in disposition. Maga Eolyn comes across as formal and soft spoken, reminiscent of a lynx that prefers the forest deep. Adiana, on the other hand, is restless as a songbird in spring.

MT: Thank you both for hosting me today. I’m going to start with a question that may seem obvious, but that many of our readers could probably use a refresher on: What is a maga?

Eolyn: Thank you for visiting us, Ian. A maga is a woman trained in a tradition of magic unique to Moisehén, first discovered in ancient times by Aithne and Caradoc. We seek to understand the natural world, the spirits of plants, animals, and rocks, and to use that understanding for the betterment of our people.

MT: Sounds noble. Yet not too long ago, the kingdom made a concerted effort to rid itself of everyone who had learned this tradition.

Adiana: Fools will be fools. And kings more so, when given the chance.

Eolyn: When the magas rose up against King Akmael’s father, Kedehen, the consequences were many and brutal. Here we are trying to put that past behind us and create a new future in magic, not only for the young women who have joined our Aekelahr, but for all of Moisehén.

MT: Tell me a little about the women who live here. How do you choose your students?

Eolyn: We accept anyone who comes willingly and demonstrates an aptitude for magic, as well as respect for the traditions and teachings of Aithne and Caradoc. Right now we are a small community: five young girls, Maga Renate, Adiana, and myself. But we hope to grow.

MT: So, Maga Eolyn, you teach magic, but what role does Adiana have? Why bring a musician to the Aekelahr?

Adiana: Aithne and Caradoc, who discovered magic, recognized music as a form of Primitive Magic, the most ancient and complex magic given to our people. It’s true that I was never trained as a maga, but I know music, and I love teaching the girls. This is the one gift that I can offer in support of Eolyn’s effort.

MT: So you left the cosmopolitan city of Selkynsen to settle in this remote and rather backward province. Do you ever miss your home?

Adiana: I miss the wine. There is no better wine than the wine of Selkynsen.

MT: But you don’t regret your choice?

Adiana: Not at all. This is the most wonderful community I’ve ever been a part of, which is saying a lot since I was a musician for Mage Corey’s Circle. And let me tell you, that was amazing! But Eolyn has built a strong family her out of a most unlikely collection of orphans and misfits. We love each other and care for each other. The girls who study with us will one day be some of the most powerful women in the kingdom.

MT: It’s common knowledge that this Aekelahr would not exist without the very generous support of King Akmael. How did you convince the son of Kedehen to finance this endeavor, to even make it legal again for women to practice magic?

Eolyn: My Lord King and I were brought together by very unusual circumstances when we were children. It was on the basis of that friendship that he eventually decided to reverse some of the rulings made by his father.

MT: Friendship. A carefully chosen word. Some would call it love.

Adiana: Well he is in love with her. Madly. No doubt about it.

Eolyn: I cannot speak for the King’s heart, but I can assure you there is no romance between us.

MT: Yet there was romance at one time. Would you deny this?

Eolyn: Of course not. Akmael – I mean, the King – and I were involved for a brief period some years ago, but that ended before he married Queen Taesara. We have not seen each other since.

MT: King Akmael and Queen Taesara are expected to arrive in Moehn in the next few weeks, as part of their summer progress. Any chance of old flames reigniting?

Eolyn: No. Absolutely not.

Adiana: I would say so. Definitely. Yes.

Eolyn: Adiana, please.

Adiana: I’m just saying! Look at her, Ian. What king wouldn’t be in love with this woman? She’s beautiful! And I know she still has feelings for him. You should see how nervous she’s been with all the preparations. It’s driving the rest of us mad.

Eolyn: Perhaps this would be an appropriate moment to bring the interview to a close.

MT: As much as I’d like to delve deeper into this question, we are, I’m afraid, at the end of our time today. I’m certain our readers will be anxious to learn what happens in the coming weeks, Maga Eolyn, when you and King Akmael are reunited.

Readers of Medieval Times, I will be back soon with full coverage of the King’s long-anticipated visit to the province of Moehn. Until then, this is Ian McFae signing off from the highlands and wishing you a most magical day.

Find out more about High Maga here!

 

 

 

About the Author (and Narrator)

Karin Rita Gastreich Continuing our feature on High Maga‘s author, Karin Rita Gastreich, let’s learn about her. Also, since the High Maga audio book has just been released, we’re going to meet the narrator, Darla Middlebrook

About the Author:

KARIN RITA GASTREICH writes tales of ordinary women and the extraordinary paths they choose. Inspired by a lifetime of exploring lush forests and breathtaking landscapes, Karin’s stories blend elements of epic fantasy, historical fiction, and romance. The worlds she creates are a strange amalgamation of medieval Europe and colonial Central America, with misty forests, vast savannas, and steamy jungles. They are populated by brave heroines, noble heroes, and twisted villains. From ancient woodlands to uncharted seas, readers will experience gripping battle scenes, heart wrenching loss, hard-won triumphs, and the ultimate magic of love. Karin’s fantasy novels Eolyn and High Maga are available from Hadley Rille Books. Her short stories have appeared in Zahir, 69 Flavors of Paranoia, and World Jumping. She runs an on-line discussion forum about women in genre fiction at Heroines of Fantasy. Follow Karin’s adventures into fantastic worlds, both real and imagined, at krgastreich.com.

Author web links:

Karin’s web site    *    Heroines of Fantasy    *    Facebook    *    Twitter: @EolynChronicles

 

About the Narrator:Darla Middlebrook

Darla’s voice is a versatile instrument used with skill. It is a voice filled with intelligence and warmth. Her sound can range from mature to youthful female, and she can also produce convincing male timbres. Narrative is presented in a conversational, down to earth, matter-of-fact manner and also displays a broad emotional range across a large repertoire of characters (female, male, young, old and “creature”).   All of that while still conveying a sense of wonder when telling the story.

With experience of 34+ years as a Speech-Language Pathologist, more than 20 years as a stage & film actor and over 20 years as a trained singer with knowledge and insight into the mechanics of the voice and speech, Darla Middlebrook brings a wealth of experience to bear to develop character voices (male, female, mature, extremely elderly, creepy, bright exotic, etc) with an impressive emotional range.

Currently, Darla is one of many voice actors who narrate podcasts for AIRS-LA (an audio internet service for individuals with visual challenges) in addition to narrating audio books.

Narrator Web Links:

 Website    *     Facebook    *     Twitter: @GypsyCatVoice

To enter the giveaway for a free audio book, click here.

High Maga by Karin Rita Gastreic

High Maga 2One of my favorite authors announces something new! Karin Rita Gastreich is the author of Eolyn, one of the most wonderful Young Adult fantasies I’ve read. See my review of Eolyn here. High Maga is the second book in the series and is just as well done. Although it’s already been released, the author has just released an audio book version. Have a long drive to work? An audio book is the perfect companion!

Karin Rita Gastreich is my featured author this month, so stop by every Saturday to read more about her and her book. Can’t get enough? Stop by her blog tour for more excerpts, interviews, and prizes!

Here is a synopsis of High Maga:

Karin Rita Gastreich (author)                   Darla Middlebrook (narrator)

Sisters in magic, Eolyn and Adiana seek to revive a craft once forbidden to women. When war strikes at the heart of the kingdom, their fledgling community of magas is destroyed; its members killed, captured or scattered.

In hopes of defending her people, Eolyn tries to escape the occupied province and deliver to King Akmael a weapon that might secure their victory. Trapped by the invading army, Adiana is taken prisoner and placed at the mercy of the ruthless Prince Mechnes.

Even as their world is torn asunder, Eolyn and Adiana cling to a common dream. Courage and perseverance guide them toward a future where the Daughters of Aithne will flourish in a world set free from the violence of men.

“War propels the book forward, and the characters are at their best when the events engulfing them are at their worst.” –Publishers Weekly

Chapter 13 (excerpt)

 Ghemena awoke cramped and shivering, huddled against Tasha and Catarina. Outside she heard the shouts of men broken by occasional laughter, heavy footsteps and the whinny of horses. Her tongue felt like it was covered with sand, and her arms were numb from being bound. She tried to move her hands, but found a sickly sensation of nothingness where her fingers should have been.

Sitting up, she looked around the bare tent, illuminated by a thin shaft of light streaming through a break in the canvas. Catarina and Tasha slept, bodies curled side by side on the hard dirt floor, faces swollen from the many tears they had shed. With growing dread, Ghemena realized Mistress Adiana was not with them. She shuddered at the memory of Renate’s headless corpse and closed her eyes to shut the image out.

Tasha whimpered and stirred. She lifted her head, tangled dark tresses hanging in her rounded face, and stared with bleary eyes at their grim surroundings before focusing on Ghemena.

“Where’s Mistress Adiana?” she asked.

A painful lump in Ghemena’s throat would not let her speak. She bit her lip, working her arms and wrists against each other, trying to get the blood to return to her fingers.

Tasha moaned and hid her face against Catarina’s shoulder. “This was supposed to be a dream. I was going to wake up, and have it all be a very bad dream.”

“We’ve no time to cry,” Ghemena replied sharply. “We have to get out of here as fast as we can.”

Tasha dragged herself away from Catarina’s sleeping figure and sat up. She pointed to her bound arms with her chin. “How are we supposed to escape tied up like this? And where would we go if we did? You saw the town last night. Nothing’s left of it, and those horrible men are everywhere.”

“I have a way to find Maga Eolyn, but I have to free my hands first.” A burning sensation moved through her palms, followed by the prick of a thousand pins on her fingers. Ghemena knew this was a good sign.

“What way?” asked Tasha.

“A magic way. She showed it to me before she left. I’m going find her and tell her what’s happened, and then she’ll come to rescue you.”

“You mean we can’t go with you?” Tasha’s brow furrowed and she glanced nervously at Catarina. “Don’t leave us alone here. Please.”

Ghemena stopped fidgeting and gave Tasha a worried frown. “I don’t think it’ll work with more than one of us.”

“Why not?”

“Maga Eolyn never said anything about taking more than one person.”

“That doesn’t mean it’s not possible.”

“No,” Ghemena conceded doubtfully. “I guess we can try.”

“Promise me you’ll try, Ghemena.” Tasha’s eyes were wide beneath her dark brows. “Promise me you won’t leave without us.”

Ghemena looked at her friend. Tasha had always been the quiet one, happy in the company of her friends, forever trying to make peace between Ghemena and Catarina.

“We’re sisters,” Ghemena said. “We must be loyal to each other, right?”

Tasha grinned and nodded.

“So you see, I won’t leave you alone. I can’t.”

“How does the spell work?” Tasha asked.

“Well first, I have to get my hands free.” Ghemena scooted around on her rump to show Tasha her back. “Can you see the knots? Maybe you can chew through them.”

Tasha wrinkled her freckled nose. “Chew through them? What kind of an idea is that?”

“Well, I don’t have a knife. Do you?”

“It’d take me days to chew through those chords, and I’d have no teeth left at the end of it.”

“Tasha, just do it. Please.”

Tasha scowled, but she eased over toward Ghemena, then fell heavy on her side behind the girl’s back.

“Ow!” Ghemena winced. “You’re supposed to bite the chords, not my wrists!”

“Well it all looks the same in the dark. Hold still, will you? You’re only making it harder.”

A sudden flood of harsh light interrupted their efforts. Tasha gasped and Ghemena looked up, squinting, at three figures silhouetted in the tent entrance.

“By the graces of Mikata, what is this?” The voice was lilting and feminine. As Ghemena’s eyes adjusted, she saw the slight figure of a woman not much older than Mariel, clothed in a simple rose colored dress. She had fine brown skin and hair the color of wheat, neatly braided and coiled. Her expression was kind, with a knowing smile and soft eyes set in an oval face. “Our little mice are trying to escape!”

Purchase Links:

Amazon (audio book)           Barnes and Noble        Kobo

Follow

Get every new post delivered to your Inbox.

Join 678 other followers

%d bloggers like this: